SATURDAY, APRIL 15 8 PM
Aoife O'Donovan Plays "Nebraska"
with special guest The Westerlies
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Aoife O’Donovan returns to perform Bruce Springsteen’s album Nebraska solo in its entirety. The New York Times described her 2020 performance of the album as “saluting Springsteen’s songcraft with clear, pitch-perfect articulation and affable delivery.” O’Donovan plans to perform this special show in only 9 U.S. stops making this concert a rare night of music. The live album is available digitally only via Bandcamp.
Grammy award-winning artist Aoife O’Donovan operates in a thrilling musical world beyond genre. Deemed “a vocalist of unerring instinct” by the New York Times, she has released three critically acclaimed and boundary-blurring solo albums including her most recent record, 2022’s boldly orchestrated and literarily crafted Age Of Apathy. A savvy and generous collaborator, she is one third of the group I’m With Her with bandmates Sara Watkins and Sarah Jarosz. The trio’s debut album See You Around was hailed as “willfully open-hearted” by NPR Music. I’m With Her earned an Americana Music Association Award in 2019 for Duo/Group of the Year, and a Grammy-award in 2020 for Best American Roots Song.
O’Donovan spent the preceding decade as co-founder and front woman of the string band, Crooked Still and is the featured vocalist on The Goat Rodeo Sessions – the group with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile. She has appeared as a featured vocalist with over a dozen symphonies including the National Symphony Orchestra, written for Alison Krauss, performed with jazz trumpeter Dave Douglas, and spent a decade as a regular contributor to the radio variety shows “Live From Here” and “A Prairie Home Companion.”
The Westerlies, “an arty quartet…mixing ideas from jazz, new classical, and Appalachian folk” (New York Times) are a New York-based brass quartet comprised of childhood friends from Seattle: Riley Mulherkar and Chloe Rowlands on trumpet, and Andy Clausen and Willem de Koch on trombone. Equally at home in concert halls and living rooms, The Westerlies navigate a wide array of venues and projects with the precision of a string quartet, the audacity of a rock band, and the charm of a family sing-along. Formed in 2011, the self-described “accidental brass quartet” takes its name from the prevailing winds that travel from the West to the East. “Skilled interpreters who are also adept improvisers” (NPR’s Fresh Air), The Westerlies explore jazz, roots and chamber music influences to create the rarest of hybrids, music that is both “folk-like and composerly, lovely and intellectually rigorous” (NPR Music).
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